Il più pericoloso ex-agente della CIA viene trascinato fuori dal suo esilio e scopre nuove esplosive rivelazioni sul suo passato.Il più pericoloso ex-agente della CIA viene trascinato fuori dal suo esilio e scopre nuove esplosive rivelazioni sul suo passato.Il più pericoloso ex-agente della CIA viene trascinato fuori dal suo esilio e scopre nuove esplosive rivelazioni sul suo passato.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 20 candidature totali
Matthew O'Neill
- Lead Hub Tech
- (as Matthew O'Neil)
Recensioni in evidenza
The original Bourne trilogy of Identity, Supremacy and Ultimatum were brilliant displays in effective storytelling and great action. Jason Bourne, however, isn't quite as proficient in both of those areas. On the one hand, it's action-packed to the brim, and provides for a hugely entertaining watch, but on the other, it's a disappointment as far as bringing yet another intriguing and truly thrilling mystery to life is concerned.
Let's start on the bright side, however, with the action. Paul Greengrass does yet another sterling job at directing some hugely exciting action sequences (including a thrilling chase in Athens that harks back to Ultimatum's Tangier chase), and in tandem with yet another excellent performance by Matt Damon as Jason Bourne himself, the action is definitely the best part of this film.
Where the story lacks, Jason Bourne more often than not gives you some insane action to revel at. Sure, it's not the work of storytelling geniuses, but if you're the sort of person who can turn their brain off for two hours and watch wall-to-wall action and explosions, then this film will have you in dreamland. It's not a Michael Bay movie, and Greengrass' style lends a lot to making more vibrant action sequences, but there's no doubt that fans of big action will love this film.
On the whole, I did enjoy this film, and I was able to recognise its flaws and just watch it as a big blockbuster. However, I can't escape feeling disappointed at the film's total failure to tell as intriguing a story as the first three films in the series.
The enthralling mysteries and gradual revelations about Jason Bourne's past were what really separated this series from any other spy thriller. In this movie, however, everything felt a lot more generic, with a much bigger emphasis on action than clever storytelling and patient, gradual character and plot development. Unfortunately, it's that that makes Jason Bourne look pale in comparison to the original trilogy, and those who are expecting yet another engrossing and intelligent thriller will certainly be disappointed.
That said, there are bright moments in the story too. It's not a horrifically dull film, and there are a few details that relate right the way back to The Bourne Identity. What's more is that Matt Damon, Alicia Vikander and Tommy Lee Jones all put in very strong performances to add a degree of gravitas to what is in truth a very clichéd and repetitive story, which was good to see.
Overall, I am disappointed by Jason Bourne, in that it doesn't manage to tell such an enthralling and intelligent mystery as the series' original trilogy, but its top-quality action and strong directing and performances still allowed me to have a lot of fun for two hours.
Let's start on the bright side, however, with the action. Paul Greengrass does yet another sterling job at directing some hugely exciting action sequences (including a thrilling chase in Athens that harks back to Ultimatum's Tangier chase), and in tandem with yet another excellent performance by Matt Damon as Jason Bourne himself, the action is definitely the best part of this film.
Where the story lacks, Jason Bourne more often than not gives you some insane action to revel at. Sure, it's not the work of storytelling geniuses, but if you're the sort of person who can turn their brain off for two hours and watch wall-to-wall action and explosions, then this film will have you in dreamland. It's not a Michael Bay movie, and Greengrass' style lends a lot to making more vibrant action sequences, but there's no doubt that fans of big action will love this film.
On the whole, I did enjoy this film, and I was able to recognise its flaws and just watch it as a big blockbuster. However, I can't escape feeling disappointed at the film's total failure to tell as intriguing a story as the first three films in the series.
The enthralling mysteries and gradual revelations about Jason Bourne's past were what really separated this series from any other spy thriller. In this movie, however, everything felt a lot more generic, with a much bigger emphasis on action than clever storytelling and patient, gradual character and plot development. Unfortunately, it's that that makes Jason Bourne look pale in comparison to the original trilogy, and those who are expecting yet another engrossing and intelligent thriller will certainly be disappointed.
That said, there are bright moments in the story too. It's not a horrifically dull film, and there are a few details that relate right the way back to The Bourne Identity. What's more is that Matt Damon, Alicia Vikander and Tommy Lee Jones all put in very strong performances to add a degree of gravitas to what is in truth a very clichéd and repetitive story, which was good to see.
Overall, I am disappointed by Jason Bourne, in that it doesn't manage to tell such an enthralling and intelligent mystery as the series' original trilogy, but its top-quality action and strong directing and performances still allowed me to have a lot of fun for two hours.
Actually reviews are not supposed to be based on wishful thinking.
Nonetheless for those members who gave this a high rating more out of frustration than anything else, I do feel your pain.
The original Bourne trilogy was not merely good, it was superb. As a top reviewer here with some 1200 reviews under my belt I said more than once that the original was the best spy trilogy I had ever seen and I am unashamed of the fact that I have seen each film in that series four or five times since original release. They are an adrenaline rush, the perfect mix of story, form, and effect.
Even 2012's Bourne Legacy -- a feature where it was ever so clear that Damon had been offered a fortune just to walk-on and smile at the camera, but refused anyway -- was a solid movie, great script, held the attention, and Renner did a great job.
However, now that I have seen Jason Bourne 2016, I cannot help but wish that Damon had agreed to participate in Legacy, rather than be lured back 4 years later for a part he clearly no longer likes, in a production he would rather not be in.
I tend toward "purist" reviews, that is to say, I don't really care WHY a film was made as much as I do about how entertaining is it to watch ...?
(That said, I have to "assume" that Damon broke his vow and came back simply for the cash. And Greengrass agreed to take hold of the camera one more time only if he could get a writing credit too. Ugh!)
So, speaking of entertainment, there is almost none in this movie. The script is a mess. Written by the director for the clear purpose of showcasing his action and camera-work skills, there is no attempt to build connection from the top.
The script is so bad that even viewers in love with the original trilogy -- like this one -- have to keep reminding themselves who Bourne is supposed to be, and what is supposed to motivate him.
(Not to mention major plot holes here and there. Am I the only one who noticed that the most WANTED MAN IN America attempted to enter customs under his own name with no advance certainty that the computer would be "fixed" in time? Remember, from the second film in the series, this is a man who "never guesses and never makes mistakes." Other than accepting to do this film, that is.)
A good film makes the viewer feel good. The scientists call it endorphin production. This 120 minute endless chase, from the top of the movie to the ending, merely produces a caffeine buzz and sets your nerves on edge. Yes, Greengrass can use this production in his own personal highlight reel to showcase his moving camera skills. But his writing skills? Not so much.
Tommy Lee Jones delivers possibly the most superficial performance of his excellent career and the money he was offered cannot begin to make up for the indignity of the closeups.
Newcomer Alicia Vikander acquits herself well. Then again, she is a newbie with a whole string of good movies ahead of her, career-wise, whereas the actors in this film seemed more interested in taking the money ... and running.
---------------ADDENDUM NOV 2017-------------
If you are curious to see the kind of film that JASON BOURNE (2016) should have been in a perfect world -- or a parallel universe, or whatever -- than have a quick peek at ATOMIC BLONDE 2017. Presumably when you read this review in the far future, you can snag it on streaming media or DVD or possibly even beamed directly into your cortex. Theron, for the first 2/3 of the film, is the Bourne of old. She is an agent with a mission and a purpose and a predisposition for removing obstacles from her path with the same ease a gardener pulls weeds from a flower bed. And the script is intelligent and purposeful. Yes, she has more estrogen than the Bourne we are used to (well, a LOT more, actually) but, other than that tiny discrepancy, ATOMIC BLONDE is more a Bourne sequel than this soppy entry.
---- ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Nonetheless for those members who gave this a high rating more out of frustration than anything else, I do feel your pain.
The original Bourne trilogy was not merely good, it was superb. As a top reviewer here with some 1200 reviews under my belt I said more than once that the original was the best spy trilogy I had ever seen and I am unashamed of the fact that I have seen each film in that series four or five times since original release. They are an adrenaline rush, the perfect mix of story, form, and effect.
Even 2012's Bourne Legacy -- a feature where it was ever so clear that Damon had been offered a fortune just to walk-on and smile at the camera, but refused anyway -- was a solid movie, great script, held the attention, and Renner did a great job.
However, now that I have seen Jason Bourne 2016, I cannot help but wish that Damon had agreed to participate in Legacy, rather than be lured back 4 years later for a part he clearly no longer likes, in a production he would rather not be in.
I tend toward "purist" reviews, that is to say, I don't really care WHY a film was made as much as I do about how entertaining is it to watch ...?
(That said, I have to "assume" that Damon broke his vow and came back simply for the cash. And Greengrass agreed to take hold of the camera one more time only if he could get a writing credit too. Ugh!)
So, speaking of entertainment, there is almost none in this movie. The script is a mess. Written by the director for the clear purpose of showcasing his action and camera-work skills, there is no attempt to build connection from the top.
The script is so bad that even viewers in love with the original trilogy -- like this one -- have to keep reminding themselves who Bourne is supposed to be, and what is supposed to motivate him.
(Not to mention major plot holes here and there. Am I the only one who noticed that the most WANTED MAN IN America attempted to enter customs under his own name with no advance certainty that the computer would be "fixed" in time? Remember, from the second film in the series, this is a man who "never guesses and never makes mistakes." Other than accepting to do this film, that is.)
A good film makes the viewer feel good. The scientists call it endorphin production. This 120 minute endless chase, from the top of the movie to the ending, merely produces a caffeine buzz and sets your nerves on edge. Yes, Greengrass can use this production in his own personal highlight reel to showcase his moving camera skills. But his writing skills? Not so much.
Tommy Lee Jones delivers possibly the most superficial performance of his excellent career and the money he was offered cannot begin to make up for the indignity of the closeups.
Newcomer Alicia Vikander acquits herself well. Then again, she is a newbie with a whole string of good movies ahead of her, career-wise, whereas the actors in this film seemed more interested in taking the money ... and running.
---------------ADDENDUM NOV 2017-------------
If you are curious to see the kind of film that JASON BOURNE (2016) should have been in a perfect world -- or a parallel universe, or whatever -- than have a quick peek at ATOMIC BLONDE 2017. Presumably when you read this review in the far future, you can snag it on streaming media or DVD or possibly even beamed directly into your cortex. Theron, for the first 2/3 of the film, is the Bourne of old. She is an agent with a mission and a purpose and a predisposition for removing obstacles from her path with the same ease a gardener pulls weeds from a flower bed. And the script is intelligent and purposeful. Yes, she has more estrogen than the Bourne we are used to (well, a LOT more, actually) but, other than that tiny discrepancy, ATOMIC BLONDE is more a Bourne sequel than this soppy entry.
---- ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
This was a big letdown, I'd had been looking foreword to it for ages too but for the most part this was boring, the story line was... nothing... a same ole Bourne is trying to find out about his past, people in an office looking at computers trying to find him. Just flat, predictable and redundant.
Tommy Lee Jones, wow was he even present for filming? He was just going through the motions here and appeared to shoot most of his scenes from his living room as he's on his own, on the phone or seated at a desk, appearing grumpy (as per) and bored.
Even the synopsis is dull "The CIA's most dangerous former operative is drawn out of hiding to uncover more explosive truths about his past." Meh.
On the plus there are some decent fight scenes, car chases as expected, an exciting motorcycle chase and a great bad guy with Vincent Cassel but nothing stand out or special there, everyone is just going through the motions.
Maybe I should give this another try, did I miss something?
Tommy Lee Jones, wow was he even present for filming? He was just going through the motions here and appeared to shoot most of his scenes from his living room as he's on his own, on the phone or seated at a desk, appearing grumpy (as per) and bored.
Even the synopsis is dull "The CIA's most dangerous former operative is drawn out of hiding to uncover more explosive truths about his past." Meh.
On the plus there are some decent fight scenes, car chases as expected, an exciting motorcycle chase and a great bad guy with Vincent Cassel but nothing stand out or special there, everyone is just going through the motions.
Maybe I should give this another try, did I miss something?
This film is quite good to be honest.Despite many problems,and a regurgitated plot being one of them,I have found this film to be really enjoyable.Matt Damon returns in the titular role after 9 years,and this time he's embroiled in a cat and mouse game played out at international locations. The camera-work is quite blurry,and dizzying at times.The action scenes are the greatest pro,especially the car chase in Las Vegas.Damon delivers a good performance but Alicia Vikander steals the show.Tommy Lee Jones is good to see too,nice to see that he is undertaking action films even at such an old age.The locations were chosen quite wisely.
On the downside,character development is kept to a minimum.There is a half-hearted attempt to tackle the timely topic of government surveillance versus citizen privacy.No scene lingers for more than 5 seconds.
I give this film a 7.While it does not match up to the original trilogy,it succeeds as a fun time at the movies.
On the downside,character development is kept to a minimum.There is a half-hearted attempt to tackle the timely topic of government surveillance versus citizen privacy.No scene lingers for more than 5 seconds.
I give this film a 7.While it does not match up to the original trilogy,it succeeds as a fun time at the movies.
Jason Bourne makes a welcome return in the self titled Jason Bourne, although this movie is not in the same league as The Bourne Identity (2002), The Bourne Supremacy (2004), and The Bourne Ultimatum (2007). The Bourne Legacy (2012) saw the movie go in another direction with Jeremy Renner in the lead instead of Matt Damon however this was met with disappointing results. Jason Bourne sees Matt Damon slip back into one of his famous roles albeit some time has since passed.
Following the events of The Bourne Ultimatum which saw Jason Bourne slipping away after successfully exposing Operation Blackbriar, Jason Bourne (Matt Damon) lives off the grid and makes a living participating in illegal bare knuckle fighting rings. Bourne is still troubled by memories of his past as a CIA black ops operative. Meanwhile in Iceland, former CIA operative turned computer hacker Nicky Parsons (Julia Stiles) uncovers Bourne's recruitment into the Treadstone program and his father's role in the program while hacking into the CIA's mainframe systems to expose the CIA's black ops program. The intrusion is brought to the attention of the CIA's head of the Cyber Ops Division Heather Lee (Alicia Vikander), and CIA Director Robert Dewey (Tommy Lee Jones) who also seemingly has a shady agenda. When Nicky travels to Greece to find and inform Bourne, they find themselves hunted by CIA operatives, including a ruthless assassin known as the Asset (Vincent Cassel). Jason Bourne must revisit his old life and uncover another conspiracy which he thought was well and truly behind him.
It was fantastic to see Paul Greengrass return to the director's chair to revisit the Bourne universe as well as Matt Damon making a welcome return as Jason Bourne, the role that added another string to his bow as an excellent actor. While I couldn't fault Matt Damon, it was like I was revisiting old ground with this movie. Tommy Lee Jones, Alicia Vikander, Julia Stiles, Riz Ahmed and Vincent Cassel round out the supporting cast just fine.
While there's plenty of action sequences which are a staple for the Bourne series, Jason Bourne seems to focus on the action and I felt that the spirit of the original trilogy was missed with the intelligent story lines which made all three of the original movies very memorable when first released and to this day all three movies have earned a spot in my list of favourite movies of all time. Jason Bourne seemed to be like a popcorn movie to appeal to the audiences to who like to suspend their disbelief and enjoy the non-stop action.
While I had a good time in the cinema watching Jason Bourne, I fear that another Jason Bourne movie may be one too many which could tarnish the fond memories of the original Bourne trilogy. Perhaps it may be time to leave Jason Bourne alone.
7/10.
Following the events of The Bourne Ultimatum which saw Jason Bourne slipping away after successfully exposing Operation Blackbriar, Jason Bourne (Matt Damon) lives off the grid and makes a living participating in illegal bare knuckle fighting rings. Bourne is still troubled by memories of his past as a CIA black ops operative. Meanwhile in Iceland, former CIA operative turned computer hacker Nicky Parsons (Julia Stiles) uncovers Bourne's recruitment into the Treadstone program and his father's role in the program while hacking into the CIA's mainframe systems to expose the CIA's black ops program. The intrusion is brought to the attention of the CIA's head of the Cyber Ops Division Heather Lee (Alicia Vikander), and CIA Director Robert Dewey (Tommy Lee Jones) who also seemingly has a shady agenda. When Nicky travels to Greece to find and inform Bourne, they find themselves hunted by CIA operatives, including a ruthless assassin known as the Asset (Vincent Cassel). Jason Bourne must revisit his old life and uncover another conspiracy which he thought was well and truly behind him.
It was fantastic to see Paul Greengrass return to the director's chair to revisit the Bourne universe as well as Matt Damon making a welcome return as Jason Bourne, the role that added another string to his bow as an excellent actor. While I couldn't fault Matt Damon, it was like I was revisiting old ground with this movie. Tommy Lee Jones, Alicia Vikander, Julia Stiles, Riz Ahmed and Vincent Cassel round out the supporting cast just fine.
While there's plenty of action sequences which are a staple for the Bourne series, Jason Bourne seems to focus on the action and I felt that the spirit of the original trilogy was missed with the intelligent story lines which made all three of the original movies very memorable when first released and to this day all three movies have earned a spot in my list of favourite movies of all time. Jason Bourne seemed to be like a popcorn movie to appeal to the audiences to who like to suspend their disbelief and enjoy the non-stop action.
While I had a good time in the cinema watching Jason Bourne, I fear that another Jason Bourne movie may be one too many which could tarnish the fond memories of the original Bourne trilogy. Perhaps it may be time to leave Jason Bourne alone.
7/10.
Trama
Lo sapevi?
- QuizMatt Damon admitted that physically training for the role of Bourne was much harder in his forties, and he had to keep to a very strict diet to maintain his physique during filming.
- BlooperMalware is uploaded to usb disk, but the files are already downloaded so you do not have to be connected to internet to have them decrypted. By being connected to internet you expose yourself.
- Citazioni
[from trailer]
Jason Bourne: I know who I am. I remember everything.
Nicky Parsons: Remembering everything doesn't mean you know everything.
Jason Bourne: Tell me.
- ConnessioniFeatured in Super Bowl 50 (2016)
- Colonne sonoreExtreme Ways (Jason Bourne)
Written, Produced and Performed by Moby
Orchestra Arranged & Conducted by Joseph Trapanese
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Untitled Matt Damon/Bourne Sequel
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 120.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 162.434.410 USD
- Fine settimana di apertura Stati Uniti e Canada
- 59.215.365 USD
- 31 lug 2016
- Lordo in tutto il mondo
- 415.484.914 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti