Un contabile rientra in contatto con un ex-compagno di liceo tramite Facebook e viene coinvolto in una serie di avventure di spionaggio.Un contabile rientra in contatto con un ex-compagno di liceo tramite Facebook e viene coinvolto in una serie di avventure di spionaggio.Un contabile rientra in contatto con un ex-compagno di liceo tramite Facebook e viene coinvolto in una serie di avventure di spionaggio.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 8 candidature totali
- Thugged Out
- (as Slaine)
Recensioni in evidenza
On the downside,the film falters sometimes in the plot section.Yet another OTT performance by Kevin Hart(as mentioned above) I wish the action scenes had a bit more lustre in them.But do not be bothered by that because this is the action junkie in me speaking,and you may like this movie more than I did.
This movie isn't completely flawless,nor is it totally groundbreaking in the buddy cop genre.But it is still worth watching in the theatre,thanks to the chemistry between the 2 leads and a lot of laughs.
The story follows both of them having reunited 20 years after high school in order to save the world. The main plot is the weakest part of this movie since there's not much emphasis put on it. I will say that there are some pretty sweet cameos in here that are awesome. The action is mostly good even though it got a bit shaky in some places.
Overall, Central Intelligence is a pleasant surprise this summer. This movie is honestly battling Deadpool for funniest movie of the year; I can't believe I just said that. This is definitely one of the better buddy-cop action comedies we've gotten in the past few years.
Central Intelligence gets a B.
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In Central Intelligence, Johnson plays a formerly morbidly obese high school student named Robbie Wierdicht (yes, it's pronounced as Weird Dick, hah!) who was subjected to a horribly cruel prank twenty years ago. He now resurfaces as Bob Stone, a herculean CIA agent who decides to reunite with his only friend in high school, Calvin "The Golden Jet" Joyner (Hart) — back then Central High's "most likely to succeed" student. Ironically, he is now living an unexceptional adult life as a mid-level accountant stuck in a rocky marriage. Little does Calvin know, what started as a mysterious Facebook friend request to a casual catch-up is Stone's silent attempt to enlist Calvin as his unwilling sidekick in a deadly mission to track down stolen U.S. satellite codes and stop a wanted kingpin called the "Black Badger" from obtaining them.
In his previous comedies (Ride Along and Get Hard), Hart is often portrayed as a fast- talking shtick at the center of attention. In this film, We're The Miller's director Rawson Marshall Thurber, who co- wrote the script with Bob Fisher and Steve Faber, breaks this stereotype by subduing Hart to a serious straight-up role and giving the goofy prankster role to Johnson (responsible for pulling off most of the verbal and physical gags). The role reversal works with the slapstick comedy thanks to both actors' exhilarating chemistry and sharp performance. Their size juxtaposition alone is a joke in itself. "Pint-sized" squeaky-voiced Hart, with all his outbursts and babbling, mixes panic and rage probably better than any actor. As for Johnson, he keeps up with expectations here whether by simply donning fanny packs, unicorn t-shirts, and uber-tight pajamas; or flaunting his cartoonish manliness against a character who is surprisingly sensitive and still embarrassed with his past. Central Intelligence is given more depth when it deals with our main characters' high school baggage – Calvin's frustration on his life turning not the way he expected, and Bob's self-esteem issues due to the serious and lasting effects of bullying.
Don't get me wrong, the exhausting espionage plot struggles to have any shred of intelligence to it. It is quite perfunctory to the point that it might as well fade into a background noise. It even falls apart to utter nonsense by the end when the plot twist is revealed and judging by their focus on comedy, the filmmakers seems to be fine leaving the plot holes unpatched. Neither are the villains written with deep thought as they are all cardboard bad guys who are homophobes, bullies, mercenaries or a combination thereof. Apart from the comedy itself, the film apologizes in its shortcomings by boasting a roster of cameos that I'll leave unmentioned for the sake of surprise.
You can groan at its dumb plot, get antsy over action scenes where no one (not even trained CIA gunmen) can shoot straight or frown at Calvin and Stone whispering strategies whilst pointed with guns, but Central Intelligence is hard to dislike because Johnson and Hart shine perfectly in their roles and hence, elevate this film from subpar to moderately enjoyable. Without them, this film will be as useful as a bag of rocks. That being said, Central Intelligence can be a good distraction during a hot summer day.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Lo sapevi?
- QuizDwayne Johnson and Kevin Hart formed a friendship since this film came out and have been best friends ever since.
- BlooperAfter their first meeting in the bar (between Bob and Calvin), while walking out to the motorbike (and after the ride), Bob goes from sneakers to open sandals and back.
- Citazioni
[from end of movie bloopers]
Calvin Joyner: Are you not a super tool? You're not even Robbie Wheirdicht. You're Bob Stone!
Bob Stone: Shh! I made that name up.
Calvin Joyner: So what?
Bob Stone: It's not real.
Calvin Joyner: What does that mean? What, you think Mr. T, and Sting, and The Rock... You think those guys are real? That's a bunch of dumbass nicknames by a bunch of dumbass people.
- Curiosità sui creditiThere are several scenes from a blooper reel shown during the closing credits, including one scene of the fire department temporarily shutting down filming for some unknown reason.
- Versioni alternativeThe word God dammit was removed. It was replaced with gosh darn it!
- ConnessioniFeatured in Top Gear: Episodio #23.3 (2016)
- Colonne sonoreMy Lovin' (You're Never Gonna Get It)
Written by Denzil Foster and Thomas McElroy
Performed by En Vogue
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Un espía y medio
- Luoghi delle riprese
- Boston, Massachusetts, Stati Uniti(Boston Common)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 127.440.871 USD
- Fine settimana di apertura Stati Uniti e Canada
- 35.535.250 USD
- 19 giu 2016
- Lordo in tutto il mondo
- 216.940.871 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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